Robert Kruithoff: Artist - in - Residence
May 30, 2019 - September 18, 2019
Robert Kruithoff is a professional local photographer living in Great Falls, Montana. Kruithoff grew up in Central Montana and graduated from Stanford High School. There he met Kim, his high school sweetheart and wife of 29 years. Together, they run a photography studio in Great Falls. He is the current Artist-in-Residence at Paris Gibson Square Museum of Art, and has been working with students in the public schools on various photography related workshops for the past 8 months. These projects have included cyanotype prints, pinhole camera photography, and Photoshop collage.
His love for photography started at age nine when his grandmother gifted him a Kodak Instamatic 110 camera. He was introduced to the film photography, the darkroom, and a love for black and white images during high school journalism courses. For over the past two decades Kruithoff has been experimenting with new technology while documenting imagery that resonates personally to his life. Robert primarily shoots in black and white, partially because of the darkroom experience and because of his red/green color blindness. Artists like Ansel Adams, Richard Avedon, Ross Halfin, and Jackson Pollack are inspirations that inform his notions of landscape, and portraiture all the while being intrigued by lighting situations.
On display, is a collection of portraiture, landscape and street photography captured in Central Montana. Inspired by Jackson Pollack’s chaotic yet thoughtful approach to painting, Kruithoff channels this energy when capturing his subjects, allowing the photo to uphold an “it is what it is” attitude. Ansel Adams is the ultimate landscape photographer, capturing the grand in a single shot; Kruithoff looks to Adams when documenting the Big Sky State. His photographs of people are inspired by Richard Avedon’s The American West series - finding beauty in the everyday person and imagining the face as a landscape itself. Kruithoff intends is to relate to his audience by displaying works of art that resonate on a visceral level. His hope is that the viewer can place themselves into the image and spend some time there.
Jean Price: Heart to Hands
May 23, 2019 - July 25
This exhibition explores the private collection & personal work of the late Jean Price. This exhibition of the fine collection of the late artist, teacher, and community leader Jean L. Price includes works by a wide range of Montana artists. Many are represented regionally and nationally in private, commercial and museum collections. Thanks to Jean’s generous donation of her collection to Paris Gibson Square Museum of Art, visitors will be able to see and enjoy these well-loved works for years to come.
A personal collection and particularly an artist’s collection is fascinating in that the viewer often wonders what drew the collector to the types of work collected. Jean understood that buying art supports artists financially and spiritually. Her collecting had nothing to do with the current and future financial value of the works and everything to do with a deep connection she felt with each piece and often the artists who created them. She treasured each and every work. Her living space was enveloped with art, each piece a delight and comfort to her. She never stopped collecting, even when she felt that there was absolutely no room for anything more!
Jean had a longstanding relationship and commitment to Paris Gibson Square. She was one of the volunteers who established Paris Gibson Square Museum of Art in the late 1970’s, an act which greatly enriched the cultural life of Great Falls and the region. She was a tireless ambassador for the Square. She served as a Board member, dedicated committee member, and docent. She regularly donated her own artwork to the Annual Art Auction fundraiser. Jean’s collection is yet another piece of this remarkable woman’s legacy in supporting Paris Gibson Square and the Great Falls community.
Western Waters: Gesine Janzen
April 22, 2019 - July 15, 2019
“These drawings and prints are based on the lakes, reservoirs, rivers and streams, dams, levees, and empty creek beds that I observed on my travels across Montana, Wyoming, Colorado, Utah, and Arizona between 2017 and 2018. Water is represented in its many states: low water and high water, frozen and unfrozen, stagnant, free-flowing, and dried-up. Its power and abundance are presented alongside evidence of manipulation, fragility and scarcity. Water crashes and roars over rocks, it laps at river banks and meanders slowly across the land. I am drawn to it because of its enduring nature: it keeps going over time, on and on, eternally finding its way. Large ink drawings transform my observations into gestural abstract compositions that embody the landscape and create the sensation of water in its various forms.” - Janzen
Gesine Janzen’s artwork has been shown in numerous exhibitions across America, including a recent solo show at the Missoula Art Museum in Montana and group shows in New York City, Boston, and Los Angeles. Additionally, her artwork has been published in many professional publications such as “Art in Print”, and she has been a visiting artist and workshop instructor in Berlin, Germany, and Poznan, Poland. Janzen’s artwork is included in multiple corporate and public collections, such as the Hallmark Collection in Kansas City and the Artist/Printmaker Research Collection at the Museum of Texas Tech University. She studied art at Bethel College and at the University of Kansas. In 1998 she received an MFA in Printmaking from the University of Iowa. She was a lecturer in printmaking at the University of Missouri in Kansas City and the Kansas City Art Institute and worked as Assistant Printer at the Lawrence Lithography Workshop in Lawrence, Kansas and Kansas City, Missouri for three years. Gesine is Associate Professor of Art and Head of Printmaking at Montana State University in Bozeman, Montana.
GFPS Annual Student Exhibition
April 5, 2019 - May 15, 2019
See artwork from all Great Falls Public schools on display. Grades K-12 are represented in a wide variety of media from ceramic sculpture, drawing, and painting.
Take Care: Monica Thompson
March 7- May 24, 2019
Monica Thompson lives and works in Missoula, Montana. She studied Fibers and Graphic Design at the University of Michigan and Textiles at the Penland School of Crafts in Penland, NC, where she was awarded the Edwina Bringle Scholarship for a student showing excellence in textiles. She has exhibited in solo and juried group exhibitions throughout Montana and the northwest, including the Missoula Art Museum annual auction, the Zootown Art Community Center Mini Show, and the Montana MADE fair. Thompson teaches Elementary art in the Missoula County Public Schools. "In my work, I am striving for order while simultaneously compelled to create chaos, resulting in tension and harmony between these two seemingly incongruous states of being. Inspired by the purity and austerity of Japanese textile processes, I look to deconstruct and re-assemble these ideas to reflect my Midwestern upbringing. Also at play is the inspiration I find in my current home of Montana and the fauna found within. The result is a deliberate mismatch of themes punctuated by abundant color and rich pattern. Technically, I use hand-dyed cotton and silk, which is then often printed on; purposefully choosing impractical labors with the intention of instilling self-imposed purity in my process."
Continuum: Contemporary American Indian Art
from the MAM Collection
February 1 - April 15, 2019
Continuum is a special group show toured through MAGDA and sponsored by the Missoula Art Museum. This exhibition is a survey of art by contemporary American Indian artists from MAM’s Collection, organized by Nikolyn Garner during a curatorial internship at MAM.
Garner’s curatorial statement asserts “Too often, artworks by American Indian artists are subjected to the attempt to impose dichotomies upon it. Is the artist speaking to an authentic American Indian experience or are they responding to their experiences in the non-Indian world? Is their artwork traditional or contemporary? Is it art or is it craft? However, these polarizing tendencies oversimplify the voices of the artists. Many American Indian artists occupy spaces in between cultures. They have varied histories, and they draw from multiple art and craft traditions.
The artists featured in this show represent diverse tribes and life experiences, both on- and off- Reservations. They utilize many techniques in their artwork and have individual voices and means of expression. Yet, they also express the connections between cultures and the continuums that run through the contemporary experiences of all American Indians. This exhibition, Continuum, reflects the continually developing, adapting, and exploratory voices of contemporary American Indian artists.”
-Nikolyn Garner (Kickapoo / Oneida / Cherokee), Curator
From Here to There: Sheila Miles
December 20, 2018 - March 24, 2019
Come hear Sheila talk about her career in Montana and her prolific portfolio. Sheila spent 26 years in Montana living (and following jobs) in Laurel, Miles City, Billings, Bozeman and Missoula; prolifically creating and working in the arts. She served as the Curator of Art at the Yellowstone Art Center (now the Yellowstone Art Museum), and taught in the art departments at Montana State University-Billings, Montana State University in Bozeman and the University of Montana in Missoula. In 1999 she received a $20,000 Gottleib Foundation Fellowship, and she was chosen in San Francisco as a Public West Coast Artist for the Public Arts Project. She now resides in Santa Fe, NM with her husband and is a full-time artist.
Cottonwoods & Color: Edd Ender’s West
October 22, 2018 - March 25, 2019
Cottonwoods & Color features 14 large oil paintings by Livingston, Montana artist Edd Enders. The viewer finds themselves swept across Montana landscapes strewn with cottonwoods, fences and telephone lines. The color and movement in Ender’s work is spellbinding. “My work is inspired by everything around me. As I travel around the West, I see things compositionally; how shapes and colors interact. When a scene moves me—emotionally or visually–I gather information with a sketch and notes. Back in my studio, I use the sketch as a starting place for my oil paintings and choose colors, often abstract, to convey the mood or meaning I want to evoke. My intended statement is often more ominous than my vivid colors suggest. While painting, I focus on composition and fit shapes and colors together like puzzle pieces. I often use iconic imagery like roads, crows, fences, and road signs to add both visual interest and symbolism. A crucial part of my painting process is the time I contemplate the puzzle of my next painting while building, stretching, sizing, and priming canvases. I consider myself a contemporary western painter. I’m not interested in portraying the West as it’s commonly idealized with pristine landscapes and romanticized wildlife, cowboys and Indians. I am deeply connected to the western environment where I’ve grown up, worked, and lived. I want to portray human’s inevitable activity and impact on this region. In the bigger picture, I hope that in 100 years people will look at my paintings and learn something about this place and time, as I see it.”
Livingston Montana native Edd Enders, was born in 1962, graduated from Park High, and studied art at Montana State University, Bozeman from 1990-1993. Growing up, he spent his free time outdoors observing nature, drawing, camping, and hunting. As a young man he worked on archaeological survey teams throughout the West and as a hunting guide, packer, wrangler and cowboy from Alaska to Arizona. Enders has been painting since 1989 and has been a prolific full-time painter for two decades. Widely admired, Enders has collectors ranging from New York, Key West, Chicago, and Shanghai and has shown in numerous solo and group exhibitions.
News of the World: Stephanie J. Frostad
September 20, 2018 - February 4, 2019
Stephanie J. Frostad’s latest work will be on view in the Mungas/Volk Gallery through the new year. In News of the World, Frostad visits narratives that include Norse mythology, biblical symbols and references to contemporary issues. Most of these works focus on ravens and the natural world and in many, human subjects appear in the background of her detailed paintings, flushing out the meaning of the individual work. Frostad states, “….in stories and paintings, songs and plays we encounter themes that are relevant for every generation, even as circumstances change. This is one reason I am drawn to history, mythology and folklore as I investigate my current interests. Imagery and allegories of other times and places continue to illuminate our lives today.” A series of sketches, in pencil, inkwash and paint are displayed on a wall inviting the viewer to look more closely at the artist’s process. Referring to the title, the artist explains, “In Norse mythology the god Odin appears with animal companions, including two wolves and two ravens, Hugin and Munin. The name Hugin means Thought, while Munin has been variously interpreted as Memory, Emotion or Desire. Each day, these birds would fly out to gather news of the world and report back to Odin. I love the notion that ravens might be engaged in such reconnaissance. What’s more, this legend aligns with what we know scientifically about the capacity of ravens to learn, reason, communicate and remember. I consider these borrowed characters as witnesses who bring historical consciousness and reason to what they observe.”
Frostad studied at Studio Arts Center International in Florence, Italy where she began painting in 1985. She received a BFA from the Maryland Institute, College of Art in 1990, and in 1994 completed an MFA in Painting at The University of Montana. In 2017 Frostad was recognized with an Artist’s Innovation Award from the Montana Arts Council, an agency of State Government, through funding from the National Endowment for the Arts. Born and raised in Walla Walla, Washington, Stephanie J. Frostad’s studio is now nested in her Missoula, Montana home.
Spectacles, Tophats & Ties:
David Driesbach Prints
October 24, 2018 – January 15, 2019
Spectacles, Tophats & Ties features an incredible variety of this prolific artist’s work on loan from the North Dakota Art Gallery Director’s Association, NAGDA. In 2014, Minot State University received a remarkable donation from the internationally known print maker David Driesbach. A master of visual storytelling, David’s work often draws upon his own life experiences, dreams, and imagined dramas. Colorful characters float across surreal and dreamlike scenes. Some prints hearken back to his experiences in the South Pacific during World War II, while others are more humorous recounting events such as his home phone number was one digit different than the local pizza place when he taught at Northern Illinois University. David often puts himself right in the middle of the story with round spectacles, a top hat, and a tie (a personal homage to his wife). Viewers find numerous Little Orphan Annie cartoons, American currency, and appropriations from the history of art throughout many of his pieces. With these recurring themes and imagery. David has an unmistakable style that spans back to the earliest work in the collection from the early 1950’s.
Powwows & Rodeos:
Communities at Play by Harry Lee Harpster Jr.
September 28 - December 15, 2018
Harry Lee Harpster Jr.’s photographs engage viewers with late 20th-century Native American culture on the northern plains. Harpster’s black and white images illustrate the beauty and challenges of reservation life and lands. Intimate photographs of Native American children and adults featured in this exhibition were taken during visits to powwows and rodeos between 1979 and 2001. Harpster captured encampment scenes, preparations for parades and dancing, booths and vendors, spectators and competitors. Sponsored by the Hockaday Museum of Art in Kalispell, MT, this travelling MAGDA exhibition will be on display in the Wylder Gallery at Paris Gibson Square Museum of Art until December 15 at The Square.
Art Auction After Sale
September 20 – December 1, 2018
Paintings and sculpture from The Square’s 21st Annual Art Auction included in an after-sale through the month of November. 15 works representing 13 artists are on display in the Dufrense/Cobb Gallery.
VSA Montana Annual Arts Exhibition
May 23 - July 28, 2018
VSA, the international organization on arts and disability, was founded more than 36 years ago by Ambassador Jean Kennedy Smith to provide arts and education opportunities for people with disabilities and increase access to the arts for all. The Square's annual VSA Art Exhibition will be on display beginning May 23, 2018 in the Dufresne/Cobb Gallery. The exhibition will showcase the work of students with special needs engaged in classes at The Square, namely from the Easter Seals – Goodwill Adult Day Program. The annual VSA – Montana Arts Exhibition showcases the accomplishments of The Square's student – artists with special needs over a year's time. Students enrolled in special needs programs at The Square meet quarterly to engage in mixed media and ceramics based classes that continue to stir the imagination and uphold the intuitive art making process that these individuals are naturally gifted with. Allowing students the freedom to use art as a means of self-expression, the VSA Montana Arts program at The Square focuses on the social, emotional and artistic well-being of each student served. Working with and getting to know this ever– evolving group of artists enriches the lives of those involved in the VSA experience.
Sound/Play: Sam Krahn
May 31-July 28, 2018
Sound/Play: Sam Krahn will be on view in the Mungus-Volk Gallery late May through July at Paris Gibson Square Museum of Art this summer. This exhibition is a series of sound makers culminating in an exhibition of Krahn's 2017-18 Artist in Residence (AIR) position. As part of Krahn's residency, he has taught art classes with each instructor, shared his talents with GFPS students throughout the school year and maintained a studio at The Square.
The artist in residence program is made possible by a partnership between The Square and the Great Falls Public School district.
Here in This House:
Courtney & Molly Blazon
June 12 - October 5, 2018
Artist Courtney Blazon’s imagery takes us someplace between the known world and a dreamscape, while her mother Molly’s three dimensional creations leave the viewer in awe of both familiarity and oddity. In this one-of-a-kind exhibition, mother and daughter team up to create a reality firmly rooted in surrealism, magic and storytelling. Molly works with raku fired clay, doll faces, fabric and found objects to create haunting sculptures that are reflected in her daughter’s drawings. Details such as perfectly pleated skirts are paired with abstract bodies against multi- layered colorful drawings on Mylar that reveal the creatures’ existences. This marriage of naturalism and fantasy, old and new, imperfect and exquisite, leave one’s imagination left to wander through a unique narrative designed by Courtney & Molly Blazon in the Thayer Gallery at The Square. Molly is a self-taught artist and Courtney is an award winning Montana artist whose work has been exhibited at the Missoula Art Museum and is held in private collections.